One
track from Joe Cocker’s eponymous 1972 album would go on to have an
unlikely second life. His funk classic Woman To Woman became a go-to
sample for hip-hop producers throughout the 80s and 90s, who used the
piano hook and horn stab to provide the backbone for some of hip-hop’s
most influential tracks.
Ultramagnetic MCs – Funky
Kool Keith and the rest of the Ultramagnetic MCs used Woman To Woman
not once but twice. They first sampled the track in 1987 on Funky taking
the piano sample of Woman to Woman and dropping it in between verses
and a skit about being late to meet a girlfriend. It helped the group
get signed for their first album Critical Beatdown, which would set the
standard for sampling in late 80s hip-hop. The group also used it in
their quick fire cut’n’paste track Blast From The Past, which sewed
together some of their biggest hits.
EPMD – Knick Knack Patty Wack
Erick Sermon and Parrish Smith, used Cocker’s track on their
playground-inspired track, Knick Knack Patty Wack. It appeared on their
seminal 1989 album Unfinished Business. EPMD used the same piano and
horn sample as Ultramagnetic MCs, but unlike them they let the sample
play out almost uninterrupted, only chopping it up slightly in the
intro.
Tupac feat Dr Dre – California Love
Joe Cocker inadvertantly helped to create one of the most iconic west
coast hip-hop tracks of all time, when Dr Dre sampled Woman To Woman on
the Tupac track California Love. The 1996 track helped introduce Tupac
into the mainstream. It also signaled that Dre was still a force in
hip-hop after his 1992 album the Chronic. Complimented by the Talk Box
vocal of the chorus, the sample turned the track into a club banger in
the same way that Bill Withers’ Grandma’s Hands was tweaked by Teddy
Riley on Blackstreet’s No Diggity. The piano isn’t too far away from
Dre’s comeback anthem Still D.R.E. either.
Quasimoto – Astro Black
Stones Throw record’s resident shapeshifter used Woman To Woman in a
more avant garde way on his 2000 album The Unseen. Reimagining the
sample until it was barely recognisable, at first in the intro to the
track where he covers it in distortion and then again in the outro where
he chops’n’screws it until it crawls along at a snail’s pace, sounding
dirgey and unlike anything that had come before. Not surprising for an
artist who is widely believed to be an alias for Madlib.
Maino – We Keep It Rockin’
The Brooklyn MC, who is currently in hot water over a video which allegedly glorifies
cop killing, sampled not only Cocker but Tupac as well, taking the west
coast anthem and reclaiming it for the east coast. Swizz Beatz, Jim
Jones and Jadakiss are also featured on the track that came out in March
2011.
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